Amazon Music Unlimited Amazon Music HD Prime Music 無料で音楽を楽しもう 音楽を購入する ウェブプレーヤーを開く Amazon Musicの設定. Missa Breve - Edu Lobo / Milton Nascimento - 1972 EMI/Odeon Deus lhe pague - Varios / Several - 1976 EMI / Odeon Limite das aguas - Edu Lobo - 1976 Continental.
- 9-09-2018, 19:04
- Jazz | Pop | Latin | FLAC / APE | CD-Rip
Title: Missa Breve
Year Of Release: 1973 (1995)
Label: Odeon
Genre: Latin Jazz, MPB
Quality: FLAC (tracks+.cue,log,scans)
Total Time: 36:28
Total Size: 229 mb
WebSite: Album Preview
01. Vento bravo (3:37)
02. Viola fora de moda (2:49)
Missa Breve Edu Lobo De
03. Porto do sol (5:02)
04. Zanga, zangada (3:08)
05. Dois coelhos (2:00)
06. Kyrie (4:30)
07. Gloria (5:10)
08. Incelensa (3:50)
Edu Lobo Missa Breve Download
09. Oremus (2:14)10. Libera nos (3:42)
Albums including 1968's Edú followed before Lobo met Sergio Mendes in 1969, resulting in a contract with A&M Records for From the Hot Afternoon, which featured saxophonist Paul Desmond; by now a resident of Los Angeles, he toured with Mendes and Brasil 66 before resurfacing in 1971 with Sergio Mendes Presents Lobo, followed later that same year by Cantiga de Longe. Upon returning to Brazil, Lobo focused his energies on composing for films before returning to the studio for 1973's Missa Breve; he then spent the mid-'70s writing music for Globo, the world's fourth largest television network, including work on the hit series Caso Especial. 1976 saw the release of the LP Limite Das Aguas, with the widely acclaimed Camaleão appearing two years later; in 1979, Lobo's score to the feature Barra Pesada earned 'Best Soundtrack' honors at the Gramado Film Festival.
Lobo inaugurated the '80s with a flurry of activity, following the LP Tempo Presente with the 1981 soundtrack Jogos de Danca (a work composed for the Ballet Guaira) as well as Tom e Edu, a collaboration with Antonio Carlos Jobim. In the wake of two more ballet scores, O Grande Circo Mistico and Gabriela, Lobo worked on a series of stage musicals -- Vargas, O Corsario do Rei, and Danca da Meia-Lua -- before finally returning to the studio in 1990 for the LP Serie Personalidade. Corrupião followed in 1993, and two years later he returned with Meia Noite. The score to the 1997 film Guerra de Canudos preceded Lobo's next project, the ambitious adaptation of Jo Soares' book A Samba for Sherlock; it was released in 2001 and followed the next year by Cambaio, a collaboration with Chico Buarque, Gal Costa, Lenine, and Zizi Possi.
Lobo spent the next five years writing for others, playing selective live shows and producing. When he finally did re-enter a studio, it was with Mauro Senise for the album Casa Forte, released in 2006 by Biscoito Fino. Two years later, Lobo appeared in a credited featured guest role on the Afonso Pais Trio's Subsequências. Tantas Marés was issued in 2010 and featured original compositions and covers of tunes by Buarque and Paulo César Pinheiro. Two years later, Edu Lobo & Metropole Orkest featured new compositions and well-known tunes from his repertoire. Essential Edu Lobo: A 70th Birthday Celebration was released in 2014 and featured guest spots from Buarque, Maria Bethania, Monica Salmaso, and Bena Lobo, his son. After a long touring celebration of the date, Lobo went back to writing for others and performing sporadically. 2017's Dos Navegantes, a collaborative effort with Senise and Romero Lubambo, won the Latin Grammy Award for Best MPB Album.
Missa Breve Edu Lobo Das
Edu_Lobo_Missa_Breve_95_0909.rar (229.64 MB)
- Re-Up this Album
| Edu Lobo in the ’70s. |
I kind of hate that I’m posting this album by Edu Lobo, “Missa Breve” released in 1973, right now. Its secretly my favorite Brazilian album (and an album I would put in the worldwide top 10 without batting an eye). Its figuratively the Jaguar of albums. So effortlessly refined and aesthetically brilliant that it should never feel out of place in any environment. Its experimental without being inaccessible, and its cultured without being condescending. Its an album born out of failure though.
| Missa Breve album cover. |
Missa Breve Edu Lobo Da
Before Edu released this album, he tried to break the English speaking market by releasing his “Sergio Mendes Presents Edu Lobo” album. This collection of his hits that he rebuilt and sung in English, was an opportunity for this market to experience an authentically new-Brazilian sound that was the equal of anything out there. However, it sank like a stone. In the early age of Prog and classic Cock Rock, his modal pop was too far ahead of its time.
So self assured of his own talent Edu came back to Brazil and concentrated in making an album that would make a statement on the importance of free will. His own terms were his unique Nordeste sound and just mind-boggling great arranging talents that came from Brazil’s folkloric and regional roots. He took what was becoming a generic mainstream jazz-influenced bossa nova sound and went beyond it displaying what he thought the pinnacle of post-bossa nova sound could be. In this album his violao (classical guitar) would be at the forefront. This guitar would be at the center of modal ambient passages that were much more dynamic than before and he himself would play challenging arabesque tempos that would be much more vivid than anything he played before. This is music that at its base is experimental in its arrangements, and chord progressions, but equally emotionally enthralling and digestible.
Missa Breve has the highest of highs for Edu Lobo. The first half of the album presents all his previous music in its newest, most perfect form. This first, more easily digestible half is full of great tracks such as “Vento Bravo” with its cop-beat rhythm, “Viola Fora de Moda” showing who the true Heitor Villa-Lobos heir is with all these manic acoustic guitar passages, or “Zanga, Zangada” which is just almost-flagrant in its undeniable sophistication. Then there is the second half of the album, the one where some of the more challenging tracks reside, but also where tracks like “Gloria” exists. A track like this, which God must have created Edu to make, since no one else can tie together all that unique sound without his voice and talent. Its an album that only gets better as your musical vocabulary develops, and as you age into your taste, in my opinion. This is an album to write tracts about but I’ll spare you that, and just say go and have a listen. Its one of my favorite albums ever (which I’ll gladly defend as belonging alongside Revolver, Who’s Next, Let it Bleed, What’s Goin’ On?, etc.), and it is that sheer type of genius that any music lover regardless of language should hear. You might not get it now, but I guarantee you that when you do…man, will this album strike you like none other…and Edu wasn’t even finished, damn! (I’ll leave that for you to discover yourself with my recommendations below).
Further Listening:
1965: Edu canta Zumbi
1966: Edu & Bethania
1970: Cantiga de longe
1970: Sergio Mendes presents Lobo
1973: Missa Breve
1976: Limite das aguas
1978: Camaleão
World Cup Predictions for the Day:
– Brazil v. Chile: Columbia (Winner)
– Colombia v. Uruguay: Columbia (Winner)
Just gotta share a set of videos from this era of his, this is effortless sophistication people like Bryan Ferry or David Bowie would dream of having: